Frequency editing locked
App update available
A newer release is available. Your saved session will be preserved.
LIVE SOUND · STAGE OPERATIONS
Stage operations, simplified
Choose your workspace to start the right setup workflow.
3WORKSPACES
SELECT YOUR WORKSPACE
What are you setting up today?
Three workspaces, one stage assistant. Your saved progress stays with each module.
No P24 systems are used. Sound lead approval is required before any transmitter changes.
FIRST, YOUR EXPERIENCE
How familiar are you with RF coordination?
Your choice changes the instructions—not the safety and verification requirements.
You can change your mode anytime from the top of the checklist.
CURRENT · WING-BASED STAGE OPERATIONS
Stage Patch & Musician Connections
Interactive stage inputs, physical stageboxes, personal monitoring, and Thulsi's DP48/Ableton setup.
P16 + 1 DP48
No P24 in use
No P24 in use
BEHIND THE MUSIC · JERSEY RHYTHMS
A live show powered by a whole lot of technology.
Our musicians make the magic. Here's the invisible engineering that helps every note reach the audience.
32Stage input slotsTap for the story
Vocals, instruments, keys, tracks, click and cues are organized across the WING input map. Stereo pairs may share a single active fader.
3Digital stageboxesTap for the story
One SD16 and two SD8 boxes provide 32 continuously numbered stage inputs: SD16 1–16, first SD8 17–24, second SD8 25–32. Each physical connection is checked before soundcheck.
2Digital consolesTap for the story
Behringer WING manages stage inputs and monitor routing. The X32 handles front-of-house mixing, linked over AES50.
16Ultranet mix channelsTap for the story
The Ultranet hub distributes 16 available source channels to the musicians' P16 personal mixers. Current source assignments must be checked against the WING show scene.
1Conductor's DP48Tap for the story
Thulsi — lead keyboardist, conductor and Ableton Live stems manager — has a dedicated Midas DP48 connected to WING AES50 C.
3Sennheiser UHF IEM systemsTap for the story
Two Sennheiser EW IEM G4 transmitters and one XSW IEM share an AC 41-US antenna combiner and a directional shark-fin antenna.
3NUC IEM · 5 GHzTap for the story
Three additional NUC in-ear monitoring systems operate in the 5 GHz band. Their frequency planning is separate from the Sennheiser UHF IEMs.
9Xvive IEM units · 2.4 GHzTap for the story
Nine Xvive 2.4 GHz IEM units are coordinated using six RF channels. Their 2.4 GHz channels are not the same as WING/Ultranet audio channels.
6Xvive wireless channelsTap for the story
Six distinct 2.4 GHz channels serve nine Xvive IEM units; verify shared-channel assignments and listen for local Wi-Fi / Bluetooth interference.
10Sennheiser dynamic vocal micsTap for the story
Ten Sennheiser dynamic microphones for singers, from the e835 through e935 family, support the live vocal line-up.
RFWireless mic extensionsTap for the story
Sennheiser wireless microphone extensions provide flexibility for wired microphones. The exact extension systems and RF frequencies must be confirmed separately from the IEM bands.
64GBMacBook Pro memoryTap for the story
The M5 Max / 64 GB MacBook Pro specified for the production provides computing headroom for live audio processing. Confirm the actual show laptop at load-in.
LIVEWaves processingTap for the story
Waves SuperRack Performer runs real-time Waves plug-ins on the MacBook Pro as part of the X32 front-of-house processing workflow. Plug-in count and latency depend on the current show session.
✨The journey of a single note · Animated!Open the backstage magic ↓
FOLLOW THAT NOTE
The musician strikes a noteEvery great performance begins with a musician.
🎤Musician
🔌SD16 / SD8
🎚️WING
🎛️X32 FOH
💻SuperRack
🎚️FOH mix
🔊Audience!
🎧 Musicians hear itWING / stagebox Ultranet → P16 hub → P16 personal mixers
🎹 Thulsi hears itWING AES50 C → DP48 personal mix
Ready for the journey
👏🎉 One note. Dozens of connections. One incredible show! 🎶 The crowd goes wild!
An original, consistent piano melody gains guitar and drums in sync, ending with a recorded audience applauding. Sound plays only when enabled; the default recording requires internet unless a local recording has been imported. Conceptual flow, not a literal signal-by-signal wiring diagram. SuperRack Performer runs Waves plug-ins on the M5 Max MacBook Pro (64 GB). P16 and DP48 are separate monitor branches. No P24 devices.
BEHIND THE MUSIC · MORE THAN THE MIXER
The digital crew — on stage and before the show
Tap any card to meet the tools that make our performances run. These are distinct roles, not one single computer.
🎛️ Live Show Control
🎛️WING + X32Two digital consoles
WING controls stage inputs and musician monitor mixes; X32 manages the front-of-house mix for the audience. AES50 connects the systems.
🖥️Mac mini M1Console management
Dedicated control computer for managing WING and X32 digital consoles.
📱iPad at FOHReal-time adjustment
Portable control for front-of-house sound changes during the performance.
💻MacBook Pro M5 Max · 64 GBWaves SuperRack Performer
High-performance real-time Waves plug-in processing for the X32 front-of-house audio path.
📡RF coordination MacBookShure WWB + Sennheiser WSM
Manages television-spectrum research, IEM frequency coordination and Ethernet programming of the two Sennheiser G4 transmitters.
🎹Mac mini M2 · Ableton LiveStems, backing, click & cues
Show-playback computer used by Thulsi for synchronized backing tracks, musical cues, clicks and stems.
🔌12-channel FocusriteKeyboard audio + MIDI integration
Interfaces keyboard audio and the Mac-based setup, supporting MIDI-bus tone changes during the performance. Exact ports and MIDI configuration require show-scene verification.
🎧P16 + DP48 monitoringEveryone gets their own mix
WING User Signals feed AES50 A33–48, then the SD16 Ultranet output and Ultranet hub to P16 mixers. Thulsi uses one DP48 via WING AES50 C. No P24.
🎼 Before the Show — Our Production Lab
🎼Song preparationSource material and arrangement plan
→🎧MoisesStem separation
→🎛️Ableton LiveWarp · Quantize · Clean · Arrange
→🎹Show-ready playbackStems · Backing tracks · Clicks · Cues
✨ Months of preparation. Dozens of moving parts. One live Jersey Rhythms performance.
Technology behind the scenes. Music at the heart of everything. — Jersey Rhythms
Review physical connections before marking them verified.
Authoritative reference: WING Edit screenshots captured November 6, 2026. WING strips 1–32 and AES50 A sources are separate concepts; A14/A16/A31 have mismatched or unconfirmed input sources: stereo source pairs 23/24 (Ivan Keys), 25/26 (Raj Guitar), 27/28 (Backing), and 29/30 (Thulsi Keys) are shown as single stereo faders. Historical only: X32 spreadsheet stagebox groupings and P16 channel/bus list. Verify physical sockets and current Ultranet patch before cabling. No P24.
Digital stage input map
Current WING Edit channel/source labels (Nov 6, 2026). Physical stagebox groups are historical workbook references; sockets and P16 channel feeds need verification. The right leg of a stereo source is not a separate active fader.
Input 01
1 of 32
WING source evidence
Physical stagebox sockets
Stageboxes use continuous input IDs: SD16 1–16 · SD8 #1 17–24 · SD8 #2 25–32. The input labels follow your numbering standard; the exact physical connections still require verification.
Tap a musician
Profiles use newer WING channel labels. P16 assignments from the older X32 workbook are not considered current. Verify physical sockets and P16 feeds against the live patch.
Thulsi
Reported audio input reference
Monitoring
🎹 Thulsi — lead keyboardist, conductor and Ableton Live stems manager
Dedicated Midas DP48 via WING AES50 C. Verify stereo keyboards, Ableton backing/stems, click/cues, and DP48 group/source assignments against the live WING scene. Keep click/cues out of FOH Main if that is how the approved show scene is routed.
Thulsi stereo keys — AES50 A29/30Backing stereo — AES50 A27/28Cues A31 / Click A32 · CLK&CUE bus 8
WING screenshot confirms the source names and stereo source pairs. Thulsi has one DP48, not a P16. Confirm the exact DP48 group assignments during setup.Musician notes save locally when you leave the field.
P16 personal mixer station map
Add one station for each physical P16 and enter its musician, Ultranet hub output and monitor connection. No P24 devices are used.
Distribution reference: WING User Signals 1–16 → AES50 A outputs 33–48 → SD16 Ultranet → Ultranet hub → individual P16s. Thulsi: WING AES50 C → DP48. Verify scene and cables; station ownership, physical ports and P16 bus feeds are not preassigned.
Follow the colored cable paths
Distribution reference: WING User Signals 1–16 → AES50 A outputs 33–48 → SD16 Ultranet → Ultranet hub → individual P16s. Confirm actual scene and cables on stage. Verify each actual P16 input feed. These diagrams show signal paths, not network IP connectivity.
🎚️ WINGStage/monitor control
AES50 A → stageboxes
SD16 + SD8 + SD8
SD16 + SD8 + SD8
AES50 B → X32
FOH
FOH
WING USER PATCH / AES50 A RETURNS — TRANSCRIBED REFERENCE
WING User Signals 1–16
Sources vary per slot; verify taps
➜Sources vary per slot; verify taps
AES50 A outputs 33–48
USR 1 → A33 ... USR 16 → A48
USR 1 → A33 ... USR 16 → A48
Supplied November 6 WING transcription; original screenshot unavailable for independent recheck. Confirm the current scene. These AES50 outputs are not themselves proof of the 16-channel Ultranet P16 assignments. Source #16 shows CLK&CUE bus 8 in WING screenshot.
WING BUS LABELS (SUPPLIED TRANSCRIPTION)
B3 BK_TRK · B4 Anu/Sam/Nish · B5 Vish&Siji · B6 Shrey/Ivan · B8 CLK&CUE · B9 Raj-GTR · B10 Arul-PAD · B11 Thulsi KEYS · B12 DRUMS · B13 ST-DL. Other bus definitions require verification. Not a current P16 channel list.
P16 MONITOR PATH — ULTRANET
Stagebox
Ultranet output
➜Ultranet output
Ultranet hub
Distribution
➜Distribution
P16 personal mixers
Each musician's station
Each musician's station
P16 hub wiring remains a physical verification task. Do not assume the legacy X32 P16 channel/bus spreadsheet is the current WING Ultranet mix. Ultranet is not ordinary Ethernet networking.
THULSI DP48 — AES50
WING AES50 C
➜Midas DP48
Thulsi only
➜Thulsi only
Monitor output
As actually patched
As actually patched
Thulsi controls keys, Ableton stems and show cues. Verify the exact DP48 group mapping, power and audio outputs during line check.
SENNHEISER UHF IEM RF — SEPARATE FROM P16
3 Sennheiser IEM transmitters
➜AC 41-US combiner
➜Shared ADP UHF shark-fin
These three Sennheiser UHF IEM systems are distinct from Ultranet audio distribution. Three NUC IEM systems use 5 GHz, while nine Xvive IEM units use six 2.4 GHz RF channels. Plan and test each wireless band separately; the Shure-to-WSM workflow applies to the Sennheiser UHF system.
🚫 No P24 devices or StageConnect/P24 routes are part of this production setup.
Stage connection verification
A helper may check tasks, but only the sound lead can approve the final wiring/monitor routing.
Stage patch records
Saved locally on this device. Export a patch sheet for the sound team and a JSON backup for restore.
SETUP STATUS
0 of 0 steps complete
0%
FREQUENCY PLAN
Three systems
Historical home-test frequencies — not approved for this venue
G 587.000 / A 537.000 / XSW 488.000 MHz. These are excluded under the saved Ananda Mandir planning restrictions.
TV SPECTRUM · LOCATION CHECK
TV channel exclusions
Review local TV broadcasts before accepting IEM frequencies. A ZIP code provides only a rough location; use venue coordinates with an authorized lookup provider whenever possible.
1
Import Shure TV research
Upload a Shure Wireless Workbench .cxl, or load the saved Ananda Mandir sample. The app automatically extracts flagged UHF TV channels and their MHz ranges.
No Shure file imported in this session. Import a .cxl file to begin.
2
Review automatically populated exclusions
The app labels Shure-flagged channels as Protected / blocked. Unflagged channels remain Unknown until independently verified. Check the affected IEM bands below.
Import a Shure file to see the blocked-channel summary here.
View and adjust channel-by-channel findings ↓3
Download WSM exclusion CSV
After reviewing the exclusions, download the proposed blocked-band file. This does not alter WSM or authorize transmission.
Import a Shure file first. Export is unavailable until the review has flagged channels.
How the helper imports this into Sennheiser WSM
- Save a separate backup of the WSM project.
- Open Professional Setup → Frequencies/Bands.
- Click Import list... in the upper list (NOT the spectrum-scan import icon).
- Select the newly downloaded WSM CSV.
- Verify that imported channels read Unusable band / Blocked and review overlaps with existing usable entries.
- Recalculate Coordination; obtain sound-lead approval before Allocation and sending to G4 transmitters.
Saved example: Ananda Mandir preconverted WSM CSV
This downloads all 17 flagged UHF channels in the saved Ananda Mandir export, including channel 14 outside your three IEM tuning ranges. The current-review converter exports only channels overlapping your IEM bands.
Shure Wireless Workbench → Shure .cxl → WSM
- In Wireless Workbench, verify the exact venue coordinates and research date. Run the TV exclusion search; record the radius and source.
- Export the channel exclusions as .cxl and use “Choose Shure .cxl file” above.
- Review flagged/unknown channels with the sound lead. Run a fresh transmitter-off RF scan and coordinate the complete system.
- Export the current reviewed WSM CSV. Import into a backup WSM project and inspect every blocked band. A candidate is not legal clearance.
No verified live lookup provider is connected.
Local channel-override audit
Not researched. No frequencies have been declared available.
Review all 23 UHF TV channels; eligibility uses the 19 overlapping channels
Shure-excluded channels are proposed blocked. Unflagged channels stay UNKNOWN until independently reviewed; none is automatically cleared.
TV channelRange / stationStatus
Enter the named reviewer in Required Approvals before recording this TV review.
WSM import: Frequencies/Bands → Import list, using a COPY of the WSM project. This exports blocked entries only; it does not automatically modify WSM or certify frequencies as legal. Avoid overwriting verified restrictions.
RF approvals and audit are stored only on this browser/device. Names are manual attestations, not authenticated identities or independent authorization.
!
REQUIRED APPROVALS
Before programming transmitters
Frequency deployment locked until both approvals and valid frequency entries are present.
FOLLOW IN ORDER
Guided stage workflow
FINAL HANDOFF
Sound lead sign-off
Record the outcome after testing all three bodypacks together through the shared antenna system.
Not yet ready for handoff